Despite protests from the band All Shall Perish, the identities of 80 alleged file-sharers of their music are set to be handed over to a Panama-based copyright troll.
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The Polish Ambassador, a “beat machine from the future,” raised a number of interesting questions on Facebook about “what it would mean to be an ‘open source’ musician.” Discussion ensued. Mike Masnick pointed to this discussion on TechDirt. More discussion ensued.
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Whenever I read about the state of Black music on the internet, one of the main complaints I hear is that it no longer has meaning or that it’s not “saying something.” These “critics” recall a yesterday where all black music consisted of impactful lyrics that fell deeply on the ears of listeners, stimulating their brain muscles while penetrating into the deepest regions of their soul. I’m not certain that this magical period ever existed, but I won’t quarrel with that here.
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Though record labels have often claimed that piracy threatens artists, a new study suggests that unauthorized file-sharing via BitTorrent might not hurt music sales: in fact, it might boost them.
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A popular film tax credit that has made Georgia a regular location for movie shoots now also covers music production. Music producers and studio owners hope to capitalize on the expanded tax credit.
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With Barclaycard as a sponsor it is not surprising that July’s “Wireless Festival” in Hyde Park has been chosen for a payment technology experiment. And not having to carry physical cash seems likely to be attractive to many attendees. All they will need is a wrist-band or a suitable NFC-enabled smartcard.
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If music rights are a mess, why not get rid of the mess? This isn’t a fringe idea harbored by the Pirate Bay anymore - then again, the Pirate Party is starting to win more representation than ever in places like Germany.
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