The Radio Music License Committee (RMLC) has been hitting the headlines recently.

No Comments 22 December 2016

The Radio Music License Committee (RMLC) has been hitting the headlines recently.

The US commercial body, which represents over 10,000 commercial terrestrial radio stations, is in a legal battle with Irving Azoff’s performance rights organization Global Music Rights (GMR) - with each accusing the other of anti-competitive behavior.

What that means in reality is, until a settlement or licensing agreement can be found, the songwriters represented by GMR could end up not being played on (or paid by) the influential network of stations.

Meanwhile, one of the US’s most established PROs, the American Society of Composers, Authors and Publishers (ASCAP), has struck a deal with RMLC - which will last for five years.

The deal includes a royalty hike on the previous agreement between the two parties covering terrestrial, over-the-air broadcasts as well as certain digital transmissions.

For the first time, the deal expressly affirms the percentage share of radio performances represented by ASCAP - at a level that reflects that ASCAP says licenses more performances on broadcast radio than any other performing rights organization.

The deal, covering the five-year period 2017 to 2021, allows the 10,000+ stations to publicly perform more than 10.5 million musical works in the ASCAP repertory.

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